The variety of music that you can find in the American Underground certainly far exceeds what is available in this country. The Portland, OR-based group Cross-eyed Rosie (http://www.crosseyedrosie.com) is about as far from college-radio music as it gets yet that'll probably be the home for a band as roots-oriented as this.
Equal parts folk, country, Celtic, and bluegrass, Cross-eyed Rosie are an American original, brimming with classic Southern sounds and jubilant energy. The fiddling of Ellie Holzemer crafts a bouquet of emotions, from the spirited bursts of "Wheatfield" to the reflective tone of "Sophie's Reel." Just as delicious is the vocal interplay of Allison Longstreth and Lincoln Crockett; when they harmonize together, such as on "Moonbeams & Kerosene," they create a hypnotic, sweetly uplifting effect. Unlike many other contemporary singers working in these genres, Longstreth is naturally soulful; listen to her soaring pipes on "In My Time of Dying," for example.
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Combining originals and traditional compositions, as well as instrumentals and vocal tracks, "Adjusted" dazzles with its richness and unbridled affection. "Redwood Mission" has impeccable fiddling and acoustic picking; the musicianship is top-notch. However, Cross-eyed Rosie don't let the jamming overtake the song's pop hooks.
If you think you hate bluegrass music, you might be startled by your reaction to Cross-eyed Rosie. These lads and lasses will put a smile on your face.
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